Didn't see that coming.

Mar. 15th, 2026 11:24 pm
settiai: (Wash/Zoe -- teh_indy)
[personal profile] settiai
It looks like the Buffy the Vampire Slayer sequel that was in development isn't going to happen after all.

But apparently Firefly of all things might be getting an animated series set between S1 and the movie.
brokenframe: (Default)
[personal profile] brokenframe posting in [community profile] vidding
Title: Can’t Pretend
Characters/Pairing: Jonathan Pine/Teddy Dos Santos
TV Series: The Night Manager
Music: Can’t Pretend by Tom Odell
Length: 3:35
Streaming/download at: DW | Tumblr

π

Mar. 14th, 2026 08:00 pm
settiai: (Pizza -- settiai)
[personal profile] settiai
Okay, I've got to admit that this is probably some of the best Pi Day news that I've ever gotten. I just found out that I completely missed the fact that Giordano's is going to be opening a restaurant in DC this spring.

Proper stuffed pizza! In DC! I never thought that I'd see the day.
mark: A photo of Mark kneeling on top of the Taal Volcano in the Philippines. It was a long hike. (Default)
[staff profile] mark posting in [site community profile] dw_maintenance

Happy Saturday!

I'm going to be doing a little maintenance today. It will likely cause a tiny interruption of service (specifically for www.dreamwidth.org) on the order of 2-3 minutes while some settings propagate. If you're on a journal page, that should still work throughout!

If it doesn't work, the rollback plan is pretty quick, I'm just toggling a setting on how traffic gets to the site. I'll update this post if something goes wrong, but don't anticipate any interruption to be longer than 10 minutes even in a rollback situation.

Aurendor D&D: Summary for 3/11 Game

Mar. 12th, 2026 12:24 am
settiai: (Siân -- settiai)
[personal profile] settiai
In tonight's game, the rest under a cut for those who don't care. )

And that's where we left off.

Planned maintenance 10 March

Mar. 9th, 2026 05:36 pm
condnsdmlk: (Default)
[personal profile] condnsdmlk posting in [community profile] vidukon_cardiff
Just a heads up that the VidUKon site will be offline from about 08:30am UTC (04:30am EDT) to 10:00am UTC (06:00am EDT) tomorrow morning (10 March). Our web host will be down for planned maintenance.
settiai: (Celebi -- aniconisfinetoo)
[personal profile] settiai
The extended stay hotel that I've been living in for over a year-and-a-half is being sold, so I've been desperately trying to find somewhere else to move. Through a lot of luck, I think that I've found a basement apartment in the home of an older woman nearby if I can get the money together to cover the deposit and first month's rent sooner rather than later. Which leads to this post. I don't have a lot left to try to sell right now, at least not until I really go digging in my storage unit to see what all is there, but I'm going to try to sell what I can in the hope of raising enough to get this apartment.

First, I have a few Nintendo Switch games for sale:

Pokémon: Let's Go, Pikachu! (example on Amazon)
Spyro Reignited Trilogy (example on Amazon)
TemTem (example on Amazon)

And then a few TTRPGs that were Christmas presents so they're still in basically like new shape:

Candela Obscura Core Rulebook (example on Amazon)
Daggerheart Core Set (example on Amazon)

If you're not interested but know someone who might be, please point them my way.

For payment, I have CashApp ($Settiai), PayPal, Venmo, or Zelle (nancy.lynn.foster@gmail.com).
condnsdmlk: (Default)
[personal profile] condnsdmlk posting in [community profile] vidukon_cardiff

Registration is now open for VidUKon 2026! Join us 5-7 June in both Birmingham and online for vidshows, panels and socialising. Friday programming will begin in the afternoon. As in previous years, Thursday evening will include some online-only pre-con programming to kick things off.


In-person attendance this year is £50 (same as last year!); virtual attendance also remains unchanged at £20. Optional add-ons this year are a collectable coaster (£2) featuring this year's VidUKon artwork and the physical conbook (£5)


One big change we're making this year is that we will no longer offer a DVD case with USB key as an add-on. This is due to the increasing difficulty in sourcing and assembling DVD cases each year. We know this was a nice-to-have collector's option so we will make artwork for the DVD cover available after the con should attendees wish to print out and assemble their own DVD case. Premieres will also be available as a download.


To register for this year's con, you'll need to log in or create an account at the VidUKon website. This year we're offering payment directly through the website via Paypal. There's also an option to pay using a credit/debit card (also processed by Paypal). Strangely, vendor fees for card transactions are considerably lower than for Paypal transactions, so if you prefer paying by card, please do!


We hope the registration process goes smoothly for everyone, but should you run into any issues while registering, please get in touch with concom. We keep an eye on the VidUKon channel in the Vidding Discord and you are also welcome to DM us. Alternatively, you can email us at vidukon@gmail.com or respond to this post. 


The deadline to register for in-person attendance is 30 April. Online registration will remain open until 4 June, but if you'd like add-ons (conbook + coasters) you'll need to register by 15 May.


Sponsorship/donation

VidUKon has a small pot built up, so a couple of fee waivers are possible for those who would like to attend the con but who are unable to afford the membership cost. If you would like to give a bit extra to help sponsor attendance for someone else and/or support the con, you can do so during registration. 


If you'd like to attend the con but are unable to afford the membership cost, please get in touch with us at vidukon@gmail.com to find out more about this. (You do not need to disclose anything about your personal circumstances in order to qualify).


Equally, if folks would like to pay registration for friends, they can do so using this option. Just flag it to the con email so that we can double-check details and register the extra attendees.


Important dates

19 April – deadline to submit to Vidder’s Choice, Premieres and the themed submissions show

30 April – deadline to register for in-person attendance

15 May – deadline to register for online attendance + add-ons (conbook; coasters)

4 June – deadline to register for online attendance only

5-7 June – VidUKon \o/


We hope to see you at this year’s con!

News

Mar. 5th, 2026 12:32 am
gwyn: (spuffy)
[personal profile] gwyn
A few weeks ago, we lost [personal profile] spikedluv suddenly, and now we've suddenly and tragically lost [personal profile] minoanmiss. It's always devastating to lose anyone in our community, but it seems even worse when it's people who have such a presence within it and bring so much joy to it. My heart really goes out to everyone who was close to them, and to their families.

There are still a few days left in the FTH 2026 auction, if you'd be interested in bidding on my fic-writing services. My entry is here, or you can use that to find other people in the auction. I hope this year will produce a lot of money, god knows we need it now.

Aurendor D&D: Summary for 3/4 Game

Mar. 4th, 2026 11:04 pm
settiai: (Siân -- settiai)
[personal profile] settiai
In tonight's game, the rest under a cut for those who don't care. )

And that's where we left off.

Ruki x Juri digimon tamers FANART

Mar. 4th, 2026 11:06 pm
lemonlips43: (Default)
[personal profile] lemonlips43 posting in [community profile] girlgay
Title:Pearls
Creator:Lemonlips43
Summary:a traditional art Ruki and juri fanart
Pairings:Ruki/Juri
Rating:everyone
Content Warnings:none
Spoilers: (if applicable)
Beta:none
Author's Notes:Sorry for the bad quality but yey juri x ruki YURI YEY!
LINK

Swedish newspaper article

Mar. 3rd, 2026 01:08 pm
par_avion: collage of intl air mail stickers (Default)
[personal profile] par_avion posting in [community profile] vidding
https://www.dn.se/kultur/fan-edits-har-blivit-filmbranschens-nya-maktfaktor/

”Fan edits” har blivit filmbranschens nya maktfaktor

Thanks to naye for posting on bluesky! Translation via google translate.

“Fan edits” have become the film industry’s new power factor

– Fan edits are created out of genuine commitment, rather than a commercial purpose, and then they can certainly be perceived as more credible than traditional trailers, says Lovisa Jönsson from the PR agency Jung.
In July 2025, the anonymous TikTok account Areq posts a video collage of scenes from the boxing movie “Creed.” In the clip, punches are thrown wildly to the beat of the music, while blood and sweat spurt.

The clip has over 215 million views at the time of writing. Less than a week after it was posted on the platform, the number of viewers of the film increased by 29 percent on Amazon Prime, according to data from Luminate.

Areq is an example of a growing group of TikTok creators, often fans, who make so-called video collages, or “fan edits,” of series and films for fun. The phenomenon has its origins in fan fiction, where fans use characters and settings from existing works to write a new story.

Several film studios have recognized the explosive power of fan logic and have now started to hire fans to drive their marketing efforts.

The film studio Lionsgate has recruited a dozen or so fans to make TikTok clips under the film studio’s banner. The company’s TikTok page now has around a hundred clips from films like “Twilight” and “Divergent.” All of them are bursting with references and Generation Z jokes that only a die-hard fan can understand.

In an interview with Variety, Lionsgate's head of international marketing, Briana McElroy, says that fan edits are a "love letter from fans" and that it is free marketing.

- If we are going to have a conversation with fans online, we have to speak their language, she tells Variety.

Streaming giants such as Netflix, Hulu and Paramount+ also publish clips on their Tiktok channels with clear inspiration from fan logic.

Fan-edited video collages from the ice hockey drama "Heated Rivalry" have been streaming on social media since the series was released in late 2025. The clips have reached both existing fans and attracted new viewers.

Some of the fan community's most viewed clips are edited by fan Melanie, 25. In one of the clips, countless sex scenes and hockey matches flicker past in one minute and thirty seconds. That clip has received over four million views.

When DN reaches her, she wants to remain anonymous, she wants to protect her privacy on the internet but is happy to talk about the phenomenon. Since she was 17, she has spent countless hours editing such videos, about everything from One Direction to Harry Potter and Marvel.

– Fan edits are their own art form. It is a way for a fan to tell a story or describe how they themselves interpret a series through their own lens. It is noticeable in the way they edit, in what order they place the clips or which song they use, she says.

Unlike a traditional trailer that is directed and tailored by a film company with the aim of reaching as large an audience as possible and generating revenue, fan edits lack a financial drive and are born out of pure desire and love for a series or film.

– It is created out of genuine commitment, rather than a commercial purpose, and then they can certainly be perceived as more credible than traditional trailers, especially for Generation Z, says Lovisa Jönsson from the PR agency Jung.

She points out that fan-produced content is spread organically on platforms like Tiktok and that it can reach target groups that do not usually watch traditional trailers. This provides a large distribution at a low cost.

– When marketing arouses emotions and is perceived as authentic and genuine, it tends to be more effective. It is a quick way to spread content and can create hype that makes more people feel that they “have to see” a certain film or series, says Lovisa Jönsson.

It is not only within the world of film that fan logic is being valued. For example, the artist Miley Cyrus hired superfan Olivia Rudensky to be responsible for her digital marketing and fan contact. Rudensky was recruited because she ran one of the star’s largest fan accounts, according to Forbes.

In the book “Blank Space”, the American author W David Marx describes how fans have shaped the popular cultural landscape. According to him, they have been crucial in consolidating the position of international artists. He writes that: “At a time when the media landscape has become increasingly fragmented, fans have contributed to strengthening the cultural power around a few top artists.”

Fan-produced video collages set their first milestone in 1975 when Kandy Fong made a slideshow featuring the space officer Spock from the science fiction series “Star Trek”. The slideshow was set to music with the Spock actor’s interpretation of “Both sides now”. At the time, it was shown at various fan conventions, but since then they have been exhibited at museums in both Queens and Vancouver.

When YouTube became established, fans began publishing video collages there. As Instagram and Tiktok consolidated their role, fans have instead moved their creations there and through the spread of algorithms, some of them reach a huge audience.

Sweden is no exception. Here, fans of reality series such as “The Traitors”, “The Game” and “Paradise Hotel” have made their own compilations, where they highlight certain participants, among other things. Among other things, there are several collages about the “Best in Test” program host David Sundin, with carefully selected clips from the competition program, set to music by Arctic Monkeys’ “505”.

During the new film adaptation of “Doktor Glas”, the production launched a Tiktok account. Some of the content is clearly modeled after how fans usually edit their fan clips. Lovisa Jönsson at the PR agency Jung, however, believes that there is a risk when production companies follow the fan logic.

– When companies start to commercialize fan edits and use them in strategic marketing, authenticity can be lost, which is the very basis for the impact. To succeed, they must continue to be created on the fans’ terms, she says.

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